William Tillyer b. 1938
-
The Lake Isle of Innisfree 11, 1992 -
II. The Wildenstein, Narrative Form - Reclining, 1991
-
The Linthorpe Vase, from York Vases, 1981£ 1,650.00
-
Nature Table Turquoise, 2011£ 950.00
-
Nature Table Grey, 2011£ 950.00
-
Nature Table Green, 2011£ 950.00
-
Nature Table Red, 2011£ 950.00
-
Black Day, from The Flatford Chart, 2010£ 950.00
-
Sunset Orange, from The Flatford Chart, 2010
-
Cobalt Sky, from The Flatford Chart, 2010
William Tillyer (b. 1938) is a British painter and printmaker known for his experimental approach to materials and his fusion of abstraction with landscape traditions. By the 1990s, Tillyer had established himself as a groundbreaking artist, and this period saw some of his most ambitious and innovative work, particularly in his exploration of landscape and structure.
During the 1990s, Tillyer continued his engagement with the English landscape, but with an increasingly abstract and layered approach. His works from this decade often featured intricate grid structures, where painted surfaces interacted with perforated metal or mesh, blurring the line between painting and sculpture. This technique, seen in series such as The Watering Hole and The Balcony, created a dynamic tension between control and spontaneity, structure and fluidity.
Tillyer’s work during this time reflected his deep engagement with nature and art history, reinterpreting traditional landscape painting through a contemporary lens. His color palette became more nuanced, capturing the shifting moods of the environment while maintaining a strong sense of composition and texture.
The 1990s cemented Tillyer’s reputation as an artist unafraid to challenge conventions, using materials in unconventional ways to question the very nature of painting. His work from this period remains highly regarded for its technical innovation and its ability to push the boundaries of landscape art.
